MamoyoBornfree Writes.

Words, words and more words.

Family Secrets

We gather at night,

the men dressed in ostrich feather head dress

and the women’s ankles adorned with dry chicken bones,

gutted of all marrow,

rattling whenever they stamp their feet

to the arched drum beat hiding 

in a dark corner of my grand parents’

living room.

My father’s sisters sing the incantations

for rain

as the room gets heavy with a song that rings

to our dead whose spirits

wander the deserts of a flesh-less realm:

thirsty and parched.

We pour them libations 

of thick, heavily fermented millet beer

and open our ears to the spirit medium,

a distant aunt who hears their voices,

speak their prophecies.

We all wear garments the colour of raw scarlet,

the colour of a family secret

no one wants to see seep out of door cracks.

The windows are covered,

swathed in black cloth,

containing our ancestors’ voices in the home.

Robert Mugabe

The London Metro newspaper has a prophecy, they keep saying you will die soon. Planted six feet deep on top of Heroes Acre in your red earth stained casket. Soon.

She was a fool, and so am I, and so is anyone who thinks he sees what God is doing.

—Kurt Vonnegut

Pointless Confession

Yeah I’m stuck on you,

boys who wear gold chains

like re-incarnations of Egypt’s lost princes.

I am a sucker for them skinny boys

in high top shoes that hide the bones

sticking out from their ankles.

Hand-me-down stonewash jeans

blue and older than them.

Necks like running gazelle.

Collar bones wrestling with vest straps,

spine lanky, head spaced.

Skinny black boys with messy afros

stoned eyes, constantly talking shit

like a broken Wu Tang tape.

Yeah I’m stuck on you,

dirty stones streaking through deserts,

lost like a muthafucka.

Them boys at the rave, see them,

palms, flesh deep in a narrow waist

of a ringlet riddled,

all tasty-mouth-and-brown-eyes kinda girl.

Spiraling down

for you,

boys I can only have in my THC daydreams.

Schemes. How am I gonna get him?

When the high comes down

I’m still that girl

who is a bit too eager

when paying these COOL boys compliments.

Smiling a bit too hard

like toffee that hasn’t tasted a mouth yet.

Hard like… WTF is wrong with me?

I’m gonna be single for life.

Yeah I’m a sucka for that.

Lips stained by cloves in cigarettes

kissed by flakes of burning ash.

All gold chains and 90s Versace shirts,

all black like ninjas with skin

commisioned by midnight.

Moving shadows of the word SWAG.

Spin me your favourite record,

spread you hands over my eyes

and dance. I will dance too,

After you.

Dance on someone’s grave

Like, “Yea, don’t give a shit.

Duppy conqueror.”

Yeah I’m stuck on that.

Like a corpse dressed in coffin lining.

Six feet. Spiralling down.

For them.

Too bad I’m the round space

in the centre of a 12”

that you see air through.

Now.

She was raised by The God Channel,

Benny Hinn, TD Jakes and the rest

of the Scriptural Superstars Union.

Now,

she fucks who she wants

and sings praise hymns 

with a throaty voice soaked in sex.

Now,

she roasts swine in her mother’s garden

and makes mental snapshots of what it feels like

to kiss girls without feeling guilty.

Now,

she rarely sleeps,

spends whole nights sat on an unmade bed

her dreams sinking in the whiskey smell of her sheets.

Now,

she wonders if she can see spirits,

if they see you in those moments you touch yourself

thinking you are alone.

Now,

she likes to listen to Santana’s Black Gypsy Woman,

second and third finger spliffed in smouldering smoke,

wondering what voodoo tastes like.

Now,

she has wounds in her throat,

she smokes more than she prays.

inbetweenlove:

all those years i loved him like he was always leaving and then he left and then my body became my very own body again.

I wasn’t a poet in that moment,
what comfort are words to a woman on fire?
So I hugged her, placed my ear to her chest and listened
to her heart cry out like the voices of buried bones.
Sister, how long have you kept your body a memorial to the past?

—Indigo Williams  (via thestufflifeismadeof)

A Love Story Pt. II

My father loved my mother hard

With knuckled

digging, jealous fists

And she loved him back

By not cowering.

He would hammer into her

Back and thighs till she bruised,

His love leaving her skin blue black.

Held against the wall,

He would scream

His love at her at her face,

A block of set cement,

Grey and hard.

Her body betraying her weakness,

Hung limp like no-spine willow.

Spent with screaming

He would lean into her

And hold her in apology

For a while. As if

There is any difference between

Fists and palms.

I heard it all everytime,

Leather belt against skin

Followed by stubborn silence.

Followed by beestung taunts.

Leather belt on skin.

The same one he beat us

With when we were bad.

I heard it all everytime.

The grunts and bitten moans

At night. For hours.

Until morning when her smile,

Newer than dawn would melt

Into a puddle of mud

As she trembled before him

Apologising for ironing the wrong shirt.

Followed by skin on skin.

A palm enveloping a cheek

Bam. Bam. Bam Bam.

Two in a row.

Followed by a stubborn silence.

Most nights she would wait

Seated in the corner

Of the living room. Blue suede sofas.

My father picked those,

Mma liked them enough,

Like how you might say

You do olives, blue cheese and old wine.

You aren’t really crazy about it.

Always, she would wait for him.

His food placed in the middle

Of the mahogany coffee table.

My father picked that too.

She would stare at his dinner,

On the plate he bought,

Till she heard the scratch of his keys

After midnight,

The stench of a younger woman

On his mouth.

She watched him eat every night,

Stared at his face

With eyes like a dead garden

Sometimes I would watch her

Watch his food and wonder

If she ever considered the rat’s poison

We kept in the kitchen cupboard.

But maybe she felt

Like if she stopped his heart

Hers would quit too.

A Love Story Pt. 1

He would take me to Harare Gardens

Pick me flaming lilies

From the edge of the pond.

We would sit on the grass

Watching newly married couples

Offer their souls to cameras

Through their newly married smiles.

Wedding parties flirting with each other,

The spirit of marriage in the air.

Eating our colonial Lyons Maid

Ice cream cones, with my face

Covered in sticky melted milk

I would smile up at him and say

“Daddy, when I grow up,

I want to marry you.”

He would laugh that laugh of his

That conga drum laugh

Of a man pregnant with music

And tell me, “I am already taken.

My wife would kill me for that.”

I would pretend to be disappointed

Then he would pick me up

Like I was a sack of feathers

Place me on his shoulders

And I would take my rightful seat

On that big shoulder throne,

Bury my milky, sticky fingers

And chin in his immaculate afro.

I would look down at the newly married

Couples, smug because they couldn’t sit

On each other’s shoulders.

He loved to braid my hair

And would let me sit

On a cushion

With my chubby shoulders

Wedged between his knees.

We would listen to his reggae records

On my grandfather’s gramophone,

Whilst he told me about his Rasta days.

We always had company

In our blue white-wash walled house

And for a while I was the source of entertainment.

My parents had dreams of me being

A doctor. But not any doctor. No.

Zimbabwe’s youngest doctor

So I could thank them in my Nobel Prize

Acceptance speech.

For that reason they taught me to read

By the time I was 3.

I would read anything for our visitors

And they would be polite enough,

Telling my ma and pa

How smart I was.

I was allowed to listen to

Their big people talk about

All the Indians starting businesses

Called Patel  & Sons

And all the white farmers packing

Back to England.

They loved to talk about

White people going back

Where they came from

And I would laugh along and

Say intellectual things like

Do they eat sadza in England?

My father would laugh

And say

She’s going to be a doctor this one

Or maybe an accountant like

Her father. After all they often called me

My father’s son because I looked like

He spat me out.

Me and my best friend on the same team.

The year I started school

Is the one I was no longer

Allowed to read for our visitors.

It’s the year my ma said

I was to be locked in my

Room with my books

Whenever we had company.

The year my best friend

Did not veto mother’s new law.

The year I said something intellectual

 In response to a comment about

A Patel and Sons store where

They beat their African workers.

Something intellectual like

 “Sometime dad beats mum you know”

That was the year I started learning

How my father loved my mother.

Sometimes I think I am beautiful. Sometimes.

jslr:

elektricity:

dark room collective, african-american poetry collective that paired emerging & established writersharvard, 1989

Tell me that isn’t TSE rocking the box top and ripped jeans. Man, I love the internet. Wondering if there are any archival pictures of London’s Afro Style School (community of poets brought together by Kwame Dawes…)  

jslr:

elektricity:

dark room collective, african-american poetry collective that paired emerging & established writers
harvard, 1989

Tell me that isn’t TSE rocking the box top and ripped jeans. Man, I love the internet. Wondering if there are any archival pictures of London’s Afro Style School (community of poets brought together by Kwame Dawes…)  

Village Days I

For four weeks the housegirl was our mother,

Ours had left with belt welts on her back.

Her husband ran away on the same day,

arrogance quickening his legs.

For six months my father’s parents became mine,

I could see his diseases in his father’s eyes.

His had cataracts from all the wandering they did,

I always wondered if mine would cloud over like that.

Each day, grandfather greeted the warmed up sun of noon

from the dim entrance of his two room house,

the glint of the low corrugated roof crowning him with a halo.

He smoked his days away with newspaper rolled cigarettes,

drowned his nights in bitter moonshine

whilst his wife ploughed their fields.

She fed him with her roughened hands like she did his sons

the years he fled for younger thighs.

My father’s mother had a smile stained

by the flouride mixed in city water,

sitting beneath nostrils caked in snuff.

Her eyes were decorated with ancient make-up

rubbed into the tiny lines of crow’s feet.

Her tongue cursed my mother as though

they were co-wives.

Her insides were rotten chunks of flesh

from the brewed, bitter bile she held down.

For six months my mother wrote one letter.

For six months my father visited once,

palmed two dollars in my right hand

for the two days he stayed at the homestead.

I replied my mother’s letter like it was natural

and spent my two dollars on redskin market mangoes.